It is an articulation. It is not movement itself; it is the place where movement occurs. This naturally leads us to define movement: the change in position of an element in relation to that of another element.

This position never exists on its own. It only makes sense in relation to others. Alone, it is everywhere, and therefore nowhere. The boundaries of what defines it are null, nonexistent. Ultimately, it would not even bear the name « position. » Position, then, is a state of relation to others, to a surrounding environment.

My precise position gives me a unique point of view. It is not necessarily extraordinary, yet it remains unique, because according to the laws of physics, no one can be in two places at the same time. Two files with the same name and extension, such as .jpg, can coexist without issue—but only if they are stored in different locations. However, if they exist within the same folder, the system requires one of them to be renamed to avoid confusion. If this is true both physically and digitally, we can imagine that this position, as well as this « point of view, » goes beyond the sense of sight and beyond the material. Indeed, if a physical position gives us a unique perspective on our immediate surroundings, we might imagine that this position, through the permeability of our senses, influences the mental state and thoughts that may arise from it.

This intersection between external influence and inner nature emulsifies and forms what I’d like to call, with some amusement, a Super-Position. A superposition of the physical point of view with a perspective on the non-visible. A superposition of the experience of what exists objectively with that which is subjectively perceived.